Thu, 13 November 2014
The ruins of the New York State Pavilion, highlight of the 1964-65 World's Fair in Flushing Meadows-Corona Park, have become a kind of unofficial Statue of Liberty of Queens, greeting people as they head to and from LaGuardia and JFK airports. Its abandoned saucer-like observation decks and steel arena have inspired generations of New Yorkers who have grown up with this oddity on the horizon.
The Pavilion holds a great many surprises, and its best days may be yet to come. Designed by modernist icon Philip Johnson, the Pavilion was saved from the fate of many of the venues in the World's Fair. But it's only been used sporadically over the past 50 or so years, and the fear of further deterioration is always present.
For the first part of this very special episode of the Bowery Boys, I take you through the pavilion's presence in the World's Fair, a kaleidoscopic attraction that extolled the greatness of the state of New York. In its first year, however, a battle over controversial artwork was waged, pitting Robert Moses and Nelson Rockefeller against the hottest artist of the day -- Andy Warhol. Other controversies at the Fair threatened to derail the message behind its slogan 'Peace Through Understanding'.
In the show's second half, I head out to record at the Queens Theater -- the only part of the New York State Pavilion that's been rehabilitated -- to explore the venue's 'lonely years' with filmmaker Matthew Silva, a co-founder of People For The Pavilion, an organization that's successfully bringing attention to this weird little treasure. Matthew gives us the scoop of the pavilion's later years, culled from some of his interviews in the film Modern Ruin: A World's Fair Pavilion.
This is crucial time in the history of this spectacular relic. With public attention at an all time high, we may now be at the right time to re-purpose the Pavilion into a new destination for New Yorkers. What do you think should be done with the New York State Pavilion?